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This August Viv Allbright’s  mixed media painting ‘Palimpsest’ was selected for the Tate Modern in their ‘Inside Job’ Biennale Staff Exhibition. The selection this year was drawn from all 4 Tates open to all staff working there, in this case Viv was a volunteer.

Explore artworks by over 200 Tate staff members

Now in its fourth iteration, Inside Job (the Tate Staff Biennale) gives Tate staff the opportunity to showcase their work at Tate Modern. Inside Job features work by over 200 staff members from all departments.

The exhibition boasts work from practising professionals, aspirational masters as well as those for whom art is a rewarding pastime. The mix of work on display ranges from the 2D, 3D, film, performance and live art. Inside Job reflects and celebrates the diversity of Tate staff working across London, Liverpool and St Ives.

The exhibition has been curated and organised by the Inside Job Collective: a group of Tate staff members united in their shared interest to showcase the talents of Tate’s staff.

Tate Modern

Blavatnik Building Level 5

Bankside
London SE1 9TG

Dates

7–20 August 2024

NSA member Mike Newton’s exhibition Spring Cannot Be Cancelled is currently showing at the Borlase Smart Room, Porthmeor Studios, St Ives.

Here he explains the genesis and development of the project:

“But you knew there would always be the spring…”

Ernest Hemingway

 

This series of paintings was undertaken as a response to a series of poems by Mike Stevens loosely based on the theme of Spring. My task was to work outside of my comfort zone (Portraits) and draw inspiration from the poems to come up with a body of work that was still recognisable as my own. The title for the resulting series of paintings comes from David Hockney’s book describing his work completed during the COVID lockdown. Chosen firstly because one of the breakthrough paintings was prompted by a poem written by Mike during lockdown and secondly it seemed for a few weeks that we wouldn’t have a venue to show the work in Spring.

 

To create my selective responses to a different subject, not just in terms of aesthetics but also feelings, I started by sketching ideas on paper in pencil and then in paint. For imagery I have drawn heavily on the work of others not as copy of the artists’ original but endeavouring to achieve a deepening of meaning through a creative conversation between the poetry and the original paintings, and my own re-workings of them both.

 

The show runs until Sunday 19th May and there is Private View and reading on Friday 17th May 7-9pm

NSA member Yolande Armstrong will be showing new work in an exhibition of her paintings at Daisy Laing Gallery, Old Bakehouse Lane, Chapel Street in Penzance, opening on 12th March.

 

Yolande describes the thinking and the process behind the work:

Women have been, and still are, silenced in many ways in cultures across the globe – expected to be quiet and reticent and to behave acceptably. But women, like other marginalised groups, have also used silence and body language as a way of creating communication and of rebelling. These paintings celebrate the possibilities of a rich ferment of thoughts, feelings, emotions and potential for action behind the signalling which women present to the world.

The work is based on a collection of photographs made over many years, some taken by me, some shared by others. While a photographic image is a fleeting moment captured by mechanical means, translating a photograph into painting is a tactile process using human skills and physical materials to make marks and meaning over a period of time.

The nature of painting has enabled me to explore posture, gesture, positioning of figures and historical and social context, and to suggest through the use of paint medium new layers of meaning, interesting resonances. The flaws, or peculiarities which we might now quickly delete in digital images, are often rich and suggestive…

The show runs until 1st April and the gallery is open Tuesday to Saturday, plus Easter Sunday and Monday.

 

NSA member Jasmine Mills, together with fellow artist Lillian Thomson, are taking part in a joint exhibition – Quiet Portals – at Centre Space Gallery in Bristol in April.  

Showcasing in Bristol for the first time, Quiet Portals is a body of work developed since 2020 exploring themes of loneliness, space, and the place in between real and imagined.

Originally from Bristol and Norfolk, Lillian and Jasmine currently work and live in Cornwall. Both artists find common ground in paint, print, and drawing inspired by place and figure.

The show runs from 16th – 20th April, 10am – 4pm, with the Preview on 15th April at 4pm. Centre Space Gallery, 6 Leonard Lane, Bristol BS11EA.

 

NSA member Janet Lynch is currently exhibiting work at Livingstone St Ives gallery in St Ives. Entitled The Geronimo Hot Springs Motel, the show runs from 4th to 20th November and includes paintings and poetry.

Janet’s work continues to evolve in unexpected ways but this figurative exhibition which shows work created over many years confirms that at the heart of most paintings there is a constant referral to ‘relationship’. These relationships are indicated metaphorically, the other being represented by a formalised depiction of an animal, often dogs or horses, occasionally birds or other creatures. Sometimes these relationships are pleasant as with Woman with a Red Horse, or disturbing such as the dog in Birth. In one of the earliest pictures painted there is definitely an inferred sexual implication.

Woman with a Red Horse

 

Birth

“I love travel, and when I am away from the studio often find myself writing a few lines as a substitute for painting I suppose. The title of this exhibition was taken from one of these little poems – The Geronimo Hot Springs Motel, a small book of which is available to buy at the gallery.  As with the paintings these personal poems are all the distillation of personal experience.”
Livingstone St Ives, 71–73 Fore Street, St. Ives, Cornwall, TR26 1HW. More examples of work in the exhibition can be seen on the Livingstone St Ives website

Three artists living and working in St Ives are showing a selection of their work in a group exhibition in St Ives this July. The show runs from 17th July to 30th July at the Crypt Gallery, Mariners Church, Norway Square, St Ives, TR26 1LU. Opening hours 10.30am – 5.00pm daily.

Heather McAlpine is a member of the Newlyn Society of Artists and a member of the St Ives Society of Artists. Working from her studio nearby in Whites Old Workshops (studio 2), her current body of work reflects her love of wild swimming and the colours of the St Ives coastline.

Heather McAlpine

Mike Newton is a committee member of the Newlyn Society of Artists and currently works in Studio 4a in White’s Porthmeor Studios on Porthmeor Road, St Ives. He will be showing recent works from his ongoing series of paintings, mixing abstraction with figuration, narrating the myths in Ovid’s Metamorphoses.

2019 Boreas abducting Oreithyia 140×120 Mike Newton

Lynette Pierce is a member and director of the St. Ives Society of Artists and an associate member of the Penwith Gallery, and works from her Penwith studio no. 5 Back Road East, St Ives. Lynette’s colourful abstract paintings are inspired by the natural textures of her coastal surroundings.

Lynette Pierce

Andrew Litten‘s exhibition ‘Fragile Together’ is currently on show at JD Malat Gallery in Mayfair, London. This exhibition brings together recent large-scale figurative paintings, sculptures, and mixed media works on paper. Fragile Together is a raw and visceral multifaceted body of work that reflects our shared human vulnerability. The varied expressive handling of materials and the wide-ranging subjects denote the artist’s requirement for emotive articulacy. This body of work conveys potential human alienation and neurosis, whilst also reflecting our complicated co-existence. Through intensity, disturbance and agitation the works in this exhibition aim to encourage readings of compassion. Litten hopes to contribute to the dialogue of developing a kinder society.

The work itself is intended to be unguarded, full of raw nerves and emotionally varied. I look to create art that speaks of the love, anger, loss, personal growth and the private confusions we all experience in our lives. Where our vulnerability is made apparent, there is then a potential to relate to others. I want this exhibition to nurture a life affirming sense of our shared humanity and encourage wider readings of compassion. Empathy is powerful. Through these works I seek to create stories of authenticity and to explore the part of us that wants to care — to compress a sense of endurance of human spirit.
Andrew Litten.

The exhibition runs from 12 May – 6 June 2021 at JD Malat Gallery, 30 Davies Street, Mayfair London W1K 4NB Exhibition Opening Hours: Monday – Friday, 10am – 6pm. Saturday, 12pm – 6pm.
More information on the exhibition here

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